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May 06, 2008

5 Ways to Use Twitter

If you haven't checked out the micro blogging site, Twitter, here's some reasons to start from my Twitter Tips blog:

5 Ways I Like to Use Twitter

"In a relatively short time, Twitter has become my absolute favorite web addiction. It's exciting, fun to use, and it's a really handy tool for bloggers, writers, and web workers alike.

Here's 5 ways I like to use Twitter in my online publishing business.

1. Tapping into the Twitter stream. There are a gazillion cool hacks for Twitter, but the one that I like best is Summize.com. It's a search engine for the Twitter feed and I like it better than Google right now. The information is always fresh since it's constantly being updated as new tweets are posted. I use it to get ideas for blog posts and to get the up-to-the-second pulse on what the Twitterverse is talking about.

2. Network and Meet New People. Twitter is a great place to network and chat with people who are interested in the same stuff you are. When you have an online business or work at home, it's easy to feel isolated from the rest of the world. Twitter is always there when you need to take a break or just eavesdrop on some interesting conversations. I've networked with more people through Twitter in 3 weeks then I have in a whole year through my off line business network." Read more...

October 08, 2007

Writing Your Book as You Talk

Naturallyspeaking Linda Locke
MidlifeWriter.com

If you have been procrastinating about writing your book because you can't type well, have carpal tunnel syndrome or a disability, or just plain think better while you talk, you can now put the power of your voice to work for you.          

I recently purchased a copy of ScanSoft's Dragon Naturally Speaking 9 Standard software and was pleasantly surprised at how easy it was to set up and use.

The software comes with its own microphone headset and once you install it, all you need to do is train the software to recognize your voice patterns by speaking some short test paragraphs.

The accuracy is excellent and once you have it all set up, you can use the software to dictate all your emails, articles, and books with ease.

Food Writing: Finding Your Niche

Whatscooking_2 By Pamela White

An overused bit of advice aimed at new writers is to write what you know. It's also pushed on experienced writers.

But like other aphorisms, this one rings true. I was a writer for years before I found my calling in food writing, yet if I had only looked deeper into myself I would have seen the potential from the beginning.

My background is not unique. I grew up in a middle-class family during the 60's and 70's. Instant meals and TV dinners were in vogue. Convenience cooking using canned soups, instant rice, and boxed cake mixes was a status symbol. Feeding children bologna and processed cheese sandwiches on enriched white bread was the American way. My family fit right in, except for when my parents' farm roots would push their way to the forefront and we'd be treated to baked bread, home-made pickles, and deep chocolate brownies from scratch.

I rebelled and avoided learning to cook. I did have a roommate in college who would chop and sauté, bake and broil, to relieve her stress. She eschewed recipes, yet her rice salads and chicken curries never failed to amaze her dinner guests. I watched with envy.

It was only after the birth of my daughter, when money was tight, that I starting experimenting. Easily bored with beginner-level cookbooks jammed with recipes calling for canned soups, instant rice and boxed cake mixes, I decided to do my taste buds a favor. I began experimenting by canning marinara sauce, baking bread, studying nutrition and food preparation techniques. It wasn't long before I was creating my own recipes and hosting amazed guests at my own dinner parties.

What could I do but transfer my food passion and writing skills into a combined career?

Food writing is a wide-open field. There are food historians who study the diets of different time periods or trace the origin of a food or a dish's name. Such a researcher could track down recipes from the mid-1800's and write a magazine article or an entire book on the era, food, recipes and today's version of those recipes.

Cookbook writing is another option. Don't be overwhelmed by the sheer number of cookbooks on bookstore shelves. Some, like Julia Child's THE WAY TO COOK, Irma Rombauer's JOY OF COOKING and Rose Levy Beranbaum's THE CAKE BIBLE, are classics. Your job, as a food writer, is to find a market for your recipes. Chances are you've already focused your creative efforts. Perhaps vegetarian or bean cuisine is your specialty. Consider holiday cookies, birthday cakes, or bread baking as a theme. If you've been a chef, you might write the insider's guide to restaurant food preparation. You can focus on canning, or even narrow it down to just pickling vegetables. Choose an ingredient - beans, beef or pasta - and build your recipes and your cookbook around your choice.

If you write cookbooks, it pays to be detail-oriented. The first step is to stop slapping your culinary triumphs together from memory. Keep a pile of index cards and write down the ingredients. Relearn to measure everything. Yes, it's painful at first, but necessary. On the card's back, write comments about how the dish turned out and ideas to remedy problems. Include suggestions for variations and substitutions. Many cookery readers don't actually cook the recipes. Shocking, yes, but true. Some just enjoy reading the entertaining essays, dreaming of the dishes and maybe trying one or two for a special occasion. Be thrilled that some readers just want to read about food -- that is what gives food writers such a tasty career.

Food writers are used by magazines, regional publications, newspapers, web sites, radio and television. Feel free to set your goal to be a writer for Food Network Television or in faraway places for Saveur. While you do your dreaming, you might begin by calling the editor of the local weekly paper and offering to write an article about a local winery, brew-pub, new restaurant, local chef, cooking classes, farmers market, anything that is related to food. Collect some writing samples from the local weekly, then call the daily or the special entertainment/dining out tabloid. Keep adding to your clips and build on your food writing experience.

All those recipes you've collected for your cookbook on soy cooking will come in handy while you're pitching stories to magazines. What editor could resist an article on the ten best recipes using miso paste? Think of an angle, then approach food magazines, vegetarian magazines, health magazines and mature women magazines (think soy to combat menopausal symptoms.)

What have I done with my experience in the kitchen? I review restaurants for a living. Reviewing restaurants takes you, as a writer, beyond an opinionated passion for food and moves you into the realm of critical writing. I experience each meal on different levels. I consider the chef's creations and whether they are a success, just average or a dismal failure. I cannot insist that my personal preferences rule; I must back up my statements on each culinary arts review with my expertise, background, knowledge of cooking trends and evaluation of the quality of the ingredients. I also have a stomach of steel which helps when the meat is rancid or the cheesecake is moldy.

When searching for food writing opportunities or positions, keep in mind that editors prefer writers with a passion for food over food lovers who want to be writers. Prepare your resume accordingly and don't stay away from food writing because your articles have all been on parenting, gardening, or your village's annual Fourth of July parade. Use your samples or clips to show your writing talents; list the cooking classes you've taken or your food interests to illustrate the direction you're ready to take your writing.

If food is your passion, try food writing as a sideline or as your career. There are new web sites and magazines devoted to the culinary arts starting up regularly, creating new opportunities for food writers each day.

About the Author: Pamela White is the author of "FabJob's Become a Food Writer." She developed the first food writing online class and continues to update it annually. She is also the publisher of two free ezines: Food Writing at http://www.food-writing.com and The Writing Parent at http://www.thewritingparent.net Her writing classes and writing books are available at the above websites.

Copyright 2006 Pamela White

Self-Kindness, Truth, and Writing

Lotus_2 by Jennifer Louden

Once when I went to a new (to me) yoga class I had a teacher say, "When we go into a pose, we can listen to our ego, which says, 'Push, push, go lower, go deeper,' or we can practice non-violence (in Sanskrit ahimsa) and truth (sattva)."

Non-violence toward ourselves = self-kindness. I won't bully myself to do better. I will love myself into doing what is best for me.

Truth = I won't indulge lies in my private conversations. I won't stick my head in the sand and pretend I am eating more veggies or standing up to my belligerent boss. I will look at what is...

and

I won't beat myself as I do it.

A few years ago, I was back from more than a month spent mostly on vacation; I was attempting to launch back into writing my novel, with a self-imposed deadline of my 40th birthday, which at the time was 3 months away. The writing was not going well -- I had pieces of the novel all over the place, I was having trouble with many of the plot points, I kept starting and stopping. I spent a lot of time "avoiding what I love."

I could beat myself up for my lack of steadfastness or I could choose to sit quietly, as I did one day, and gently face the truth -- without judgment. I have written 5 of the 7 days I declared I would. I have written 4 of the 20 hours I promised myself I would this week. That is the fact. I watch myself face this fact and immediately go to my "story" of how tomorrow will be different, then ricochet over to what a worthless bum I am, how can I coach other writers and creative people when I'm skipping out? Then the drama sets in, "You've never had a problem writing before. Maybe you've lost the ability. Maybe you aren't supposed to be a novelist. Maybe you'll starve to death and never accomplish anything."

Now I have a choice. I can gently bring my mind back to the fact, "I wrote 4 hours in the last 6 days." Then I can compassionately ask myself: "What can I choose to do next that might produce a different result? What requests could I make of others to help me? How can I be kind to myself while writing this novel?"

Can you feel the difference? Notice that I had to stop (always we have to stop running). Notice I listened to all the rabble babble inside and I kept bringing myself back to what is -- 5 hours of writing this week. My mind wants to run away from that. Often we hold our minds still by rubbing its nose in what is painful -- like the old way to train a puppy to not pee in the house. Instead, I held my mind's hand -- gently helping it stay focused on what is. Notice how I finally brought my attention to future actions that could produce different results given that I am observing what is from a different perspective.

Here are some ideas on how to apply the twin concepts of non-violence and truth to your life:

1) When you notice yourself beating yourself up or avoiding the truth about a situation, take a moment to check in with your body. What sensations are you experiencing? Be with your body for several moments and notice what it is doing without judging or deciding why. Just notice.

2) Stop making promises to yourself that you have no intention or ability to keep (Forget "I will always be kind to my sister/mother/co-worker" or "I will never eat chocolate again" -- you can only fail.) Decide to only make promises that include clear conditions of satisfaction -- you will know when you have kept the promise. For example, "I will exercise for 45 minutes 3 times a week." "I will write one hour six days a week."

3) When you suspect you're avoiding being honest with yourself, stop, breathe and ask yourself, "What are the facts?" Hint: facts do not contain any adverbs or adjectives, they can be proven or supported (to a certain degree), and there are usually very few. A fact or assertion is "I wrote 4 hours in the 6 days." Not "I wrote three bad pages of a bad novel in 6 days."

4) Also ask yourself, "What could I do in this moment to love myself into creating a different outcome?"

You will notice that these practices of being loving to yourself also have an effect on your relationships. If you have ever used that logic of, "Well, I'm not being any harder on her than I am on myself," please listen up. When you are very hard on yourself, even a small taste of that can be very damaging to your relationships and even if it's true that you go comparatively easy on others, doesn't make it a good logic to live by.

Many years ago, a friend of mine was arrested for a DUI in junior college. His father bailed him out and brought him home. The first thing his mother did when he walked in the door was open her arms wide and give him a great, big hug.

Our ability to face who we are and what our potential is greatly enhanced when we can first open our arms and give ourselves one of those great, big hugs.

Jennifer Louden is a best-selling author of five books, including her classic, The Woman's Comfort Book, and her newest, Comfort Secrets for Busy Women. She's also a creativity and life coach, creator of the Inner Organizer, and a columnist for Body + Soul Magazine. She leads retreats on self-care and creativity around the country. Hear her live on Martha Stewart Living Radio, Sirius Channel 112 every Sunday at 8 am Pacific, 11 am Eastern. Visit her world at: http://www.comfortqueen.com and http://www.jenniferlouden.com

September 01, 2007

5 Ways to Break through Your Writer's Block and Get Your Book Started Now!

Womenonrockwlaptop by Linda Locke
MidlifeWriter.com

You want to write a book. You talk about writing your book. You buy lots of writing books and take classes on writing. You talk some more about writing your book. So why aren't you writing your book? Here's 5 ways to break through your writer's block and get your book started now.

1. Get to Starbucks. Take your laptop or notepad, grab a double shot latte and start writing. You'll find plenty of inspiration by watching your fellow caffeine addicts and the energy buzz will give you a jumpstart. Don't leave until you have 10 pages written.

2. Play the Butt in the Chair Game. Here's the rules: Prepare your writing space. Sit down in the chair. Sit there until you write at least 2 pages of your book. Repeat daily as necessary.

3. Set a Deadline. Set a deadline for completing the first draft of each chapter of your book. Ask your most goal-oriented friend or family member to keep tabs on your progress and to keep score on how you are doing.

4. Get Out of Town. Create your own mini writing weekend retreat. Just take yourself and your writing materials and go somewhere that inspires you and start writing.

5. Blog Your Book. Set up a blog on Blogger.com or Typepad.com and write a 500 word post every day. At the end of the month, you'll have 15,000 words written.

Which Blog Platform Should You Use to Blog a Book?

Womanlaptop2 by Linda Locke
MidlifeWriter.com

The easy answer to this question is:  Use www.Typepad.com to blog your book.

Here's why . . .

There are three main blogging platforms that most people use: Blogger, Wordpress or Typepad. There are lots of others too, but to keep this simple, I'll focus on the big three.

Blogger

www.Blogger.com is a free service and is owned by Google.com. I have set up three blogs using this service and it's the platform I used to start my own blogging adventures.

Pros: You can't beat the cost and it's fairly easy for beginning bloggers to set up and use. You can host your blog on the free blogspot service that comes with blogger or host your blog on your own website.

Cons: Blogger is a pretty basic blogging tool. You can gussy it up a bit, if you know html coding or want to learn more about style sheets, but you want to write a book, not become a web designer, right? Also, you'll want to set up categories in your blog for your book chapters and Blogger doesn't support categories. Also, if Blogger hosts your blog, you have to display the Blogger Nav bar ad at the top of your blog, which can look a little tacky.

And as my mother always said, "You get what you pay for." And boy was she right about this.

I was merrily humming along with two of my Blogger blogs, which I hosted on my own domains and everything was working just fine. Then one day, Blogger wouldn't connect to my sites and I couldn't make posts to my blogs. So I shot off a quick email to their tech support and waited and waited and waited and waited for an answer. After several weeks I got a canned response that basically said, "Tough luck! There's something wrong with your web host." And that was it. No help. Just, we don't have time to respond to individual tech support issues.

So I went looking out on the web for answers and found a lot of other people who had the same problems and boy were they mad! So I can't recommend Blogger, even if you host on their network, because it's just too unreliable a platform for blogging your book. And if you run into trouble, you're on your own kid, because Blogger's technical support is minimal.

Wordpress

www.Wordpress.org is also free, but you'll need to install the software on your own domain before you can start using it. I currently have one of my blogs hosted with Wordpress. They also have a new free hosted option for Wordpress at www.Wordpress.com that you might want to check out too.

Pros: The price is certainly right and the software has all the bells and whistles (including the category option for setting up your book chapters).

Cons: If you aren't real comfortable with techie stuff and getting "under the hood" to tweak the html code, then Wordpress is not the best choice for you. It also requires a little more time to "get up to speed" for users new to blogging. Also, you'll need to pay for a domain name and a web site hosting account with a database, before you can set up your blog.

Typepad

www.Typepad.com is the blogging platform that I use now for all my new blogs and in my humble opinion it's the best choice for writers who want to get off to a fast and easy start without a lot of hassles. There is a small fee for using the service, which ranges from $4.95 to $14.95 per month. I recommend that you start with the Plus account for $8.95 per month.

Pros: The service is very easy to use and set up and is great tool for beginning bloggers. You can sign up for a trial account and take it for a spin for 30 days. You get excellent customer service (worth the small fee I think) and all the stuff you need to get started fast. They offer password protection for your blog if you want to write in private and you can also add categories for your chapters. Best of all you can get your blog set up in under an hour and get started with your writing right away.

Cons: I can't think of any.

Next Step: Take your first bold step towards blogging your book right now and sign up for a free trial of www.Typepad.com.



Lulu.com Makes Self-Publishing Easy and Affordable

Books If you want to self-publish your work, then you must check out the www.Lulu.com website. Lulu.com offers free, on-demand publishing for books, e-books, music, images, calendars, and more and also provides a marketplace for independently published content.

The latest endeavor of Red Hat co-founder Bob Young, Lulu (www.Lulu.com) is a web site that allows people to publish and sell their own books, e-books, images, multimedia and music. Lulu provides the creators and owners of content—businesses, educators, artists, musicians, and others—with control over how they use and share their work. The Lulu brand is derived from the concept of a "lulu," which is an old-fashioned term for a remarkable person, object or idea. The enterprise is driven by Young's strong belief that improving access to information creates a firmer foundation for knowledge advancement, whether in education, computer code, or other realms.

Founded at the end of 2002, Lulu continues to grow rapidly, with over 45,000 books lining its virtual bookshelves. Independent authors and publishers publish more than 167,000 new titles every month, in addition to thousands of songs, images, calendars, and other projects.

Linda Locke
MidlifeWriter.com

Make Time to Write Your Novel

by Tracy Falbe

Writing a novel is not easy. It requires a great deal of commitment, and the demands of life, such as earning a living and caring for a family, can easily get in the way. To overcome the constraints on your time, you need to transform your writing desires into time management habits that promote writing.

Although earning a living is necessary and important, the trick to having time to write is not in finding the time, but in making the time. You are never going to find time. There are only so many minutes in a day. You are not going to find an extra hour like you would find a five dollar bill in the laundry. But you can make time by making writing time a priority. It starts with little things. Do not tell yourself, "I will get some writing done after I wash the dishes." Instead decide to wash the dishes after you have done some writing. Why do you think the stereotypical image of a writer is a rumpled person with out-of-fashion glasses in a cluttered unkempt study?

A great way to make time is to cut back or eliminate television viewing. Television is a notorious time waster and has little value as an activity. Less desirable is the likelihood that you may have to restrict your social life in order to write a novel. Going out less and seeing friends less will provide you with more time to yourself.

After adjusting your attitude about making time instead of the futile attempt to find time, you should start to set goals. A reasonable goal would be to commit to writing at least two days a week. Even if you only averaged an hour and a half of writing each day, at two days a week, this would add up to 78 hours of writing in six months time. A great deal can be accomplished with 78 hours worth of effort. Setting higher work goals such as writing five days a week or even every day would be even more effective. Attaining higher goals will become easier as you become more engrossed in your writing project. For early birds, getting up an hour earlier and writing before going to a job is an effective writing method because it can allow you to write before being wearied and distracted by your job. It will also let you feel like you have begun each day doing what you really want to do. Conversely, you could also commit to writing for an hour before going to bed. Then you could end each day feeling like you accomplished what you truly wanted to do.

While setting aside time for writing, you also need to daydream about your book. One of the most difficult and necessary parts of writing a novel is making time for daydreaming, but this is valuable time in which you will work out the plot, characters, and dialogue. Time to daydream often eludes busy people. Sitting on the couch or porch and staring thoughtfully into space undisturbed are luxuries. As difficult as it is, daydreaming needs to occur in addition to the time you have prepared for writing.

Ideally, writing your novel will be a pleasure for you. It will be hard work as well, but you need to enjoy it. Writing should be an entertaining, creative, and recreational activity for you. This will make it much easier for you to make time for writing.

Although I have warned that truly committing to writing your novel will likely cut into social activities, it should not mean that they are eliminated entirely. Sometimes you should accept that invitation to lunch or a movie, no matter how deeply obsessed you are with your book, because it is good to take a break from your work too. As Stephen King so painfully demonstrated in "The Shining" all work and no play makes Jack a dull boy. And Stephen King would know about writing a novel, so take the advice.

About the Author

Tracy Falbe is the author of the well-reviewed fantasy fiction series The Rys Chronicles that she spent many years writing and developing while finishing college and then working full time. http://www.falbepublishing.com

10 Steps to a Magazine Query

by Mui Tsun

Introduction

There are two ways to submit to magazine editors.

One is to send the finished article without it being requested. This is referred to as an unsolicited manuscript. Most editors dislike reading lengthy manuscripts, and many magazines specify that they do not accept unsolicited manuscripts which, when received, are consigned to what's called the 'slush pile' and seldom get read.

Another, more productive way, to submit to magazines is to send a query letter, in which you pitch your idea to the editor before actually writing the article.

A query letter is a sales pitch: your goal is to convince the editor that your article idea is of interest to her readers and that you are the best person to write it.

Query letters save everybody time. In the time that would have taken you to write a full article, you can write a few query letters which may result in more than one assignment. Query letters save editors' time because they don't have to read lengthy manuscripts which may not be suitable for their magazines.

Query letters better your chances of working with the magazine you want to write for. Editors are usually reluctant to ask for a rewrite or suggest substantial changes to a finished piece. Query letters, on the other hand, make it easy for editors to offer suggestions to a proposed idea.

Even if your idea is not quite suitable for the magazine, the editor may like the way you've presented your idea and yourself and may still be interested in working with you on a different assignment.

I hope by now you are convinced that query letters are essential to breaking into the writing industry, especially if you are just starting out. So it's well worth the time and effort to compose an irresistible letter that makes the editor want to see more of your writing.

Your query letter is not the only one the editor will see, so you must do your best to make yours stand out from the crowd and get noticed. A single query letter can make or break your success as a writer. Editors remember names. Make sure they remember yours in a positive way.

If your query letter is professionally written and attention-grabbing, even if your idea may not be quite right, the editor will mentally clock your name. If your query is accepted, and you complete your assignment with a well-written, well-researched and error-free article, she'll remember you even more. And your next query will be viewed in a more favourable light. This means that a good query is often the beginning of a long-standing relationship between you and the editor.

If you send an unprofessional, poorly-written query, suggesting ideas which do not fit the magazine, the editor will remember you, too. But now she remembers you in a negative way. The next time you send her a query, she may just quickly glance at it and put it in the bin. You may be closing the door to that magazine forever by sending a single bad query. Do you really want to take that risk?

Nothing is guaranteed in life. Even a perfect query letter does not guarantee an assignment. But if you following the 10 steps outlined in this book, you will stand a much better chance of producing a professional query letter that gets read and gets assignments.

Note: To avoid cumbersome writing such as he/she and his/her, I have taken the liberty to refer to an editor as a 'she'.

Step 1: Get the name right.

When you receive a letter addressing you as 'Dear Customer' or 'Dear Home Owner', do you feel the letter is talking to you directly?

Exactly.

It reads like junk mail that has been sent to millions of other people, doesn't it? If you send an editor a letter addressing her as 'Dear Editor' or 'Dear Sir / Madam', she will get the impression that not much time and effort has gone into the query, and she'd be right.

If there's one thing all freelance writers should know, it is that your article must be targeted specifically for a particular magazine. In order for your article to fit in with the style and tone of the magazine, the editor will expect you to have read a few issues of the publication.

A query letter beginning with 'Dear Sir' tells the editor that you have not taken the time to research the publication. If you haven't read the magazine, you won't know anything about the audience. And if you don't know who the audience is, how can the editor trust you to deliver an article that is suited to the magazine? So, if you only do one thing to make your query stand a better chance of success, get the editor's name.

Larger publications often have different editors for different sections, and it's important to send your query to the right person. When a features editor receives a short story, she may not have the time or inclination to forward it to the short story editor, and your query will be unread. So take some time to find out if you need to send your query to somebody other than the main editor. You can usually find all the information you need in the masthead.

If you don't want to spend money buying every magazine you want to write for, go to a large newsagent or the library and look up the names there at leisure. Another way is to ring up the editorial office and ask the secretary.

Bear in mind that magazine personnel changes regularly, so check that the name is still valid every time you send a query letter.

Make sure you spell the editor's name correctly. Some editors are mad about having their names spelt wrong. Besides, if you can't get the details of her name right, why should she trust you to get the details of the article right?

It is acceptable to address the editor simply as 'Dear John Doe' or 'Dear Jane Doe' rather than 'Dear Mr Doe' or 'Dear Ms Doe'. Nowadays it's not always possible to tell someone's gender by his or her name. In the case of women editor, it is particularly difficult to ascertain if she is a Miss, Ms or Mrs.

Step 2: Know your audience

Imagine this scenario:

You are a 35-year-old career woman. You subscribe to a magazine called 'Women Today'. You like the magazine because you feel that it caters for women like you. It addresses the needs of those who have to juggle between their roles as career women, wives and mothers. It offers fashion tips for your age group and good advice for busy parents. It also has an inspirational short story in each issue.

Now imagine this:

At the end of a busy day, after the children have gone to bed and all the dishes have been done, you open your 'Women Today' and look forward to a good read, only to find that the magazine is now full of beauty tips for teenage girls; news about pop bands; advice on what to do on a first date; and the short story is gone.

You would be forgiven for thinking that you've brought the wrong magazine, and you'd probably stop buying it from now on and look for another one to fill the void.

Driving readers away is the last thing editors want to do. That's why most magazines stick to a tried-and-trusted formula that suits the targeted readers.

The moral of the story is that there is no point in submitting the wrong type of article ideas to editors. Your article may be beautifully written, well-researched and error free, but if it's about teenage pregnancy then it's not going to get printed in a magazine for the over-50s.

Likewise, article ideas about enjoying one's life in retirement are unlikely to be accepted by editors of magazines targeted at teenagers. Your ideas must be right for the magazines you're sending your queries to.

You should read at least two issues of the magazine to get to know the tone, style and the average length of the articles. Again, use a library or a large newsagent if you need to.

Don't forget to look at the advertisements, which will tell you a lot about the magazine's intended audience. An article about trendy wine bars is unlikely to be of interest to a magazine advertising stair lifts.

Reading the magazine will also ensure that you're not trying to pitch an idea that has appeared in a recent issue.

Many magazines now publish their submission guidelines on their websites, so check these out first to get an idea about the kind of articles they want. If you can't find guidelines on the website, write to the editorial office with an SAE asking for writer's guidelines. Most magazines will be happy to send you a copy.

The bottom line is, editors only print what their readers want to read. So if you have an idea that appeals to a magazine's audience, it will also appeal to the editor. And the only way to find out what the readers want is to read the magazine yourself.

Step 3: A grand opening

Make your opening sentence work for you. Make it attention-grabbing and make it a masterpiece. Editors are busy people and you have about 30 seconds to get their attention. If you begin your query with a boring statement, she will simply scan through your letter and move on to the next one. Don't give her any excuse to stop reading your letter. Present your idea as early in the letter as possible.

Your first sentence can be an intriguing question, an interesting fact, a quote from someone you interviewed, an anecdote, a statistic, a riddle or a joke appropriate to your idea.

Don't ever begin your letter with:

'Although I have never been published before ...'
'I'm new to writing but ...'
'My mother thinks I should submit this article idea ...'

You get the drift. Comments like these scream amateurism. No editors want to work with amateurs.

Step 4: Get to the point quickly

Don't over-stay your welcome by waffling on about inappropriate personal details. Editors are not interested in the fact that you struggle to find time to write as a mother-of-two, for example.

Explain to the editor why your article idea is unique and how it is of interest to her and her readers. Include a provisional opening paragraph if possible, but only if you think it will grab the editor's attention and make her want to know what comes next. Say how you will get the information required to write the article; for example, by interviewing experts on the topic.

If you haven't worked with the editor before, include brief information about yourself. If you have special qualifications to write about this particular article, make sure you let her know. For example, if you have a science degree and your article idea is about making science interesting to the general public, then say so.

Indicate how long your article will be. Make sure this is in line with the average length of similar articles in the magazine. Make it clear to the editor that the length can be varied to suit her needs.

Make your query a single A4 page. If you can't condense your idea on one page, you need to work on it more to get it more focused.

Don't include more than one idea in a query. The only exception is when you're sending fillers. Even then it should be no more than 2 pages. Number your fillers clearly.

Step 5: Be professional

Professionalism is the key to success. The quality of your writing is of course important, but so is the image you project as a professional writer.

Be businesslike. You may be feeling despondent about having received five rejections in a week, but don't spill your emotions. At this point, an editor is a potential client, not a personal friend, although she may become so once you have worked with her on a regular basis.

If you can afford it, get a professional-looking letterhead designed and printed at a printer. It need not be too expensive. If you own a laser printer, you can design a simple, elegant letterhead yourself on your computer. Make it minimal. Don't try to use all the available fonts and colours in your word processor, and resist the temptation to include silly clip-arts in your letterhead. If you want to include graphics, get a logo designed professionally.

Include essential details such as your name, postal and email addresses, telephone and fax number.

Don't expect the editor to pay for return postage. If you want to get a reply, you must include an SAE.

Editors want articles that are well-researched and error-free. If you query is full of mistakes, editors will doubt your ability to produce high-quality articles.

Don't rely on spell-checkers solely. Read your query letters out loud; this makes it easier to spot spelling and grammatical errors. Get a friend or relative to proof-read your queries. Don't send them out unless you know they're error-free.

Step 6: Be focused

It is probably true that everything has been written about at least once. Your task is to find a new angle. Do you have something new to say about your topic? Or can you say something that's already been said in a new way?

Don't write to an editor suggesting you want to write an article about cooking or dyslexia. This is too generic. On the other hand, queries entitled 'Quick Mouth-watering Recipes for Busy Mums' or '10 tell-tale signs of dyslexia in children' are focused.

Editors like ideas that are focused because they can picture how and where the finished articles will fit into their magazines. Make your query focused and editors will love you.

Many magazines have regular sections. If you can indicate to the editor which section of the magazine your article will fit into then all the better. This tells the editor that you have studied the magazine, which will put your in her favour.

Step 7: Mail or email, but no phone

Before you send out your query, check that your submission method is correct. Some magazines will not look at email queries, others insist on them. Do not query by telephone unless you have worked with an editor on a few occasions and are sure that she doesn't mind.

Sending your query via the wrong method once again shows the editor that you have not spent time studying their publications and guidelines. This will put you on the blacklist and jeopardise chances of acceptance of your future queries.

If you're querying by email, it is best to paste your query into the body of the email, rather than sending it as an attached document. This is because attachments are notorious for spreading computer viruses, and editors who have not worked with you before will be unlikely to open an attachment from an unknown source.

Emails are great for keeping in touch with friends and family, and we often adopt an informal tone in emails. When you email an editor, however, write it as you would a formal letter. Resist the temptation to use smilies ( ) or abbreviations commonly used on the internet. Don't over-use punctuation marks, like this!!!!!!! AND DON'T USE ALL CAPITAL LETTERS IN YOUR EMAIL. IT MAKES IT VERY DIFFICULT TO READ.

I would also advice against putting the word 'Query' in the subject line of your email. Editors are busy people. On a day when she is inundated with emails and letters, and faced with a deadline two days away, she may well respond to that 'oh no another query' by deleting it without reading it.

Step 8: Clips, or no clips

If you're a published writer, include a couple of your best clips with the query, but only if the clips are appropriate to the idea you're proposing. There is little point in sending a clip on local history if your query is about fine wines.

If you've never been published before, don't draw the editor's attention to the fact. If the only places you've been published are local church newsletters or obscure websites with dubious reputation, it's best not to mention them. It's much better to simply present yourself in a professional manner in your query letter. If you act like a pro, the editor will assume you're a pro and will treat you as one. Let your irresistible query letter and its professionalism speak for you.

Step 9: Learn from your rejections

It's waiting time once you've sent your query off. Unfortunately editors are busy people and the waiting time can range from a week to three months.

If you haven't heard from the editor in four weeks, follow it up with a polite letter or email. If you still haven't heard anything after three months, assume it's a rejection and move on.

For new writers, rejections can be soul-destroying. Just when you are feeling more confident about your writing, along comes a rejection letter, leaving you in doubt as to whether you are good enough to be a writer.

It's important to realise that getting rejections is part of a successful writer's life. It means that you're making contact with the publishing world. Don't let rejections stop you from sending out more queries. Be persistent, be professional and you will get published.

While you must try not to let the rejection get you down, you should spend some time analysing why your last query has not produced a positive response before re-submitting it to another magazine. Was it appropriate to the publication? Did you start your query with an attention-grabber? Did you send it to the right person? Did you send it in the post when the magazine insists on email submissions (or vice versa)? Did you include enough information for the editor to make a decision? Did you include an SAE?

Every rejection is one step forward in your writing career. Learn from them and use them to make your next query better.

Step 10: Give it 100%

Some writers, especially new writers, argue that they should be spending their time writing 'something proper' rather than writing query letters. The trouble is, if you don't write query letters, your 'proper writing' may never be published and be read.

A query letter is a sales letter. To the editor, it is an indication of the quality and style of your writing. If she is impressed with what she reads in your query, she'll trust your ability to write the finished article.

Don't ever dismiss writing queries as a waste of time. To a writer, nothing written is ever wasted. Think of it as the gateway to your success as a freelance writer. Follow the steps outlined in this book and give it 100% every time you write a query letter. Now all you need are good ideas. But that's another story.

Happy writing!

- - - - - - - - - -

Appendix:

1. How not to write a query letter

[No Date]

[Do return address and contact details]

ABC Magazine 123 High Street Another Town

Dear Mrs Smith

I have never written to an editor before, but I have a wonderful article idea about horses. I started riding since I was a child, so I thought I could write an article for your magazine about horses.

I haven't read your magazine but a friend suggested I should write to you to see if you'd be interested in my idea. I have written a couple of items for the local community newsletter and my family and friends think my writing is not bad.

Please let me know as soon as possible if you are interested in my idea. I will give you a call next week to discuss the details.

Emma Johnson

[no SAE enclosed]

2. Example of a professional query letter [Professional letterhead, or clearly printed contact details]

20 October 2002

Anne Smith ABC Magazine 123 High Street Another Town

Dear Anne Smith

What.. what.. should a pa.. pa.. parent do if.. if.. if.. a child st.. started stammering?

Many would simply keep their fingers crossed and hope that the child would 'grow out of it'. However, research shows that while most children do outgrow this problem, some will develop persistent stammering into later life.

Stammering usually begins between the ages 2 and 5, and early intervention is vital in preventing it from developing into a chronic problem. I am confident that your readers, a large number of whom are parents of 2- to 5-year-olds, will be interested in a 1000-word article entitled 'Help! My Child Has Started Stammering'. The article will be an excellent fit for the Toddler Development section in your magazine.

I am a speech therapist and have worked with children who stammer. I will also interview two experts in this field to include the latest findings on childhood stammering.

Thank you for taking the time to consider my idea. I enclose an SAE for your response.

Yours sincerely

Emma Johnson

About the Author

Mui Tsun is the creator of Inspire Software: the simple yet powerful Character Generator, First Line Generator and Scenario Generator will enhance your creativity, kick-start your imagination and clear your writer's block. For more information visit http://www.raincatcher.co.uk/inspire.htm Don't be stuck, be inspired!

Writely makes word processing free, fun and easy to use . . .

Writely1_2 I'm always on the lookout for useful and free online tools for writers, and Google's Writely word processor fits the bill nicely. Writely is Google's online word processing program that allows writers to compose, store, collaborate and share their documents. Google opened it for general use in late August and I immediately signed up for a free account to test it out.


Writely's interface is clean and simple and very easy to use. And I really like the fact that I can access my documents online from any computer and also share documents and allow collaborators to edit them online.

Writely2 This is especially helpful when you are working on a writing project with someone else. Writely also stores all the revision versions you make to a document and allows you to go back to a previous version.

So what can you do with Writely?

- Upload Word documents, OpenOffice, RTF, HTML or text (or create documents from scratch).

- Use the simple WYSIWYG editor to format documents, spell-check them, etc.

- Invite others to share your documents (by e-mail address).

- Edit documents online with whomever you choose.

- View your documents' revision history and roll back to any version.

- Publish documents online to the world, or to just who you choose.

- Download documents to your desktop as Word, OpenOffice, RTF, PDF, HTML or zip.

- Post documents to your blog.

To take Writely out for a test spin of your own, just sign up here: http://www.writely.com/

Linda Locke
MidLifeWriter.com

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